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“... his homosexuality. His autobiography is not coy about his attraction to men. His biographer, John McCormick, concludes that he was homosexual, but for sound social and personal reasons unwilling to risk what was in his day at best a precarious preference. To that repression, McCormick attributes the distant tone ...”

“... boasts of being ‘admired of those that hate [him] most’. ‘A sicke Machiavell Pollititian,’ John Stephens wrote in his Essays of 1615, ‘is a baked meate for the devill.’ No other political theorist has received remotely similar treatment. Hobbes, who came in for a handsome share of vilification from the 1650s, was namechecked as an early exponent of ...”

“... espionage worlds, and subsequently in business journalism. Unlike Fleming’s previous biographer John Pearson, Donald McCormick makes no attempt to psychologise his subject – or to reproduce the fluency which made Pearson’s book read as easily as a James Bond thriller. His justification is to produce, among much that ...”

“... own money and £3500 of his friends’, and three years later he was dead. The project failed, Ted McCormick writes, ‘not because it was bad science or bad policy but because it fused science and policy in a way neither political nor scientific institutions were prepared to accommodate’. The Experiment was a failure, but some of Petty’s other experiments ...”

“... the country in search of old records that a handful of them – Skip James, Son House, Mississippi John Hurt – were ‘rediscovered’. They became draws on the coffee-house and festival circuit, while recordings by John Lee Hooker, Muddy Waters and Howlin’ Wolf, who had made their names playing house-rocking, amplified ...”

“... he produced a wilfully indecisive portrait of 19th-century sexology; his warped hero Stanley McCormick is a millionaire whose Ivy League manners are overcome by rampaging lust at the sight of a woman. McCormick’s doctors base their diagnoses on the work of various 19th-century sexologists, including Karl Heinrich ...”

“... We get a glimpse of Cambridge high life: the gluttony and gambling – swans for the eating, Van John all night, with ‘the Dr’ picking up the tabs. Darwin laughed modestly at the paralysis of his faculties through inertia, but the image of enforced idleness at Christ’s is misleading. There was riding (his horse came up too), but more important he was ...”

“... studied theatre in Paris for a short time, and then returned to Ireland, playing a small part in John Ford’s film The Quiet Man and working for a time at the Gate Theatre with Hilton Edwards and Micheál MacLiammóir. In the summer of 1953 he directed Siobhán McKenna and Cyril Cusack in The Playboy of the Western World, playing the part of Shawn Keogh ...”